Untitled
by Jon Fay
Bongani Zulu
Bongani Zulu
It's such a trip of an album, very well-produced and just amazing to listen to. Jon Fay, you are a hero.
Favorite track: MKV.
tofunuggets
tofunuggets
What a superb dub soaked EP this is. Look forward to further releases from Mr. Fay.
Favorite track: Untitled.
Evans Campbell
Evans Campbell
1271 is enough to go on for me! I can't wait to hear more from Jon Fay. Do. Not. STOP good sir!
Cerebral Sight
rbreckner
snootsystems
robert frank
Jacob Noble
Yanomami Gameboy (fan)
lars
Colin Morrison
Jamie Twort
David Wesley
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Dan Addison
ADSA
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Dan B
M.S.F. 1991
Trunembra a.k.a Querubim
JF
flaviodeff
Yóhan
concrete9000
Marcus_L
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respatialized
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6884
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Andrei Panait
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Jayden Erhcetua
Erik Zilinek
MomodeM
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Thomas Calahan
Marc Leveq
growthindecay
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DjEsDee
Victor Milton
+ Raw ~ B +
joy91
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Omar Elabed
Don Okuda
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Digital Album
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12" Vinyl - MÖRK010
Record/Vinyl + Digital AlbumDub-heavy, delay-drenched techno debut from Jon Fay on Mörk. 12" vinyl with monochrome centre labels and serious vibes.
Includes unlimited streaming of Untitled via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Sold Out
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1. |
1271
06:30
|
|||
2. |
MKV
10:39
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3. |
Untitled
07:15
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4. |
Untitled 2
09:57
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about
Mörk finally hits a mighty ten releases, continuing our journey into the depths with a cauldron of cavernous dub techno from US delay-hound, Jon Fay.
Despite being Fay's production debut, Untitled is a truly remarkable masterpiece, an explorative and other-worldly journey into the nocturnal side of dub techno. Natural landscapes; caves, woods, mountains and ocean ridges, open up amid the ever shifting seismic production all hinged on the tweaking of a single effect, but one which has the sheer capacity to launch souls into interstellar space.
Opener 1271 is built on a layers of cycling, swirling drones, noise and rasping hiss, with an epic spoken word punctuating the mid section of the track before the colliding and clattering over-saturated delay really takes off. Over-reflecting in it's own endless chamber.
MKV drops the tempo for a lowest-ever-slung techno rider. Steadily coasting off the back of more time-shifting delay patterns while being slowly enveloped in a sea of warm, salted pads.
Infused with a lonely and occasionally isolated feeling of separation, Untitled bumps along with more of Fay's signature crisp sound design while meddling with suddenly emerging melodies and crashes in the dark. Almost entirely breaking down via the knackered CPU halfway through.
Ending on a purely ambiguous note, loop-ambient jam Untitled 2 was made from looping the sound of dust on a vinyl record, set up so that each pop and scratch would trigger a variety of muffled, cavernous, mind delay overloaded samples. Like being turned to sand and swept up into an all-engulfing storm. One for the serious space cadet.
Despite being Fay's production debut, Untitled is a truly remarkable masterpiece, an explorative and other-worldly journey into the nocturnal side of dub techno. Natural landscapes; caves, woods, mountains and ocean ridges, open up amid the ever shifting seismic production all hinged on the tweaking of a single effect, but one which has the sheer capacity to launch souls into interstellar space.
Opener 1271 is built on a layers of cycling, swirling drones, noise and rasping hiss, with an epic spoken word punctuating the mid section of the track before the colliding and clattering over-saturated delay really takes off. Over-reflecting in it's own endless chamber.
MKV drops the tempo for a lowest-ever-slung techno rider. Steadily coasting off the back of more time-shifting delay patterns while being slowly enveloped in a sea of warm, salted pads.
Infused with a lonely and occasionally isolated feeling of separation, Untitled bumps along with more of Fay's signature crisp sound design while meddling with suddenly emerging melodies and crashes in the dark. Almost entirely breaking down via the knackered CPU halfway through.
Ending on a purely ambiguous note, loop-ambient jam Untitled 2 was made from looping the sound of dust on a vinyl record, set up so that each pop and scratch would trigger a variety of muffled, cavernous, mind delay overloaded samples. Like being turned to sand and swept up into an all-engulfing storm. One for the serious space cadet.
credits
released July 29, 2016
Production and arrangement by Jon Fay
Mastered by D&M
Original photography by Ari Gardiazabal
Design and product arrangement by Cecilia Martinez & J Asquith
Production and arrangement by Jon Fay
Mastered by D&M
Original photography by Ari Gardiazabal
Design and product arrangement by Cecilia Martinez & J Asquith
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Lobster Theremin London, UK
Record Label // Home-made Instrument
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